Bosch spent his youth training in the family workshop and, more importantly, attended the local Latin school run by the Church. He was the third son of the mediocre painter Anthonius van Aken, who was himself the son of another mediocre painter, Jan van Aken, originally from Aachen, Germany. This once celebrated artist had become an oddity.īosch was born in around 1450 in ’s-Hertogenbosch in the province of Brabant, in the southern part of the present-day Netherlands, far away from Bruges, Ghent and Brussels-the important centres of art and politics at the time. He was, Hemphill noted, “withdrawn and inward-looking, unaware of the warmth of love”. Hemphill suggested that he had a schizoid personality disorder. In 1965, around 450 years after his death, the British psychologist R.E.
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However, in the 20th century, scholars began to offer new theories of both Bosch’s best-known painting, The Garden of Earthly Delights (1503), and of the painter himself.Īrt historians labelled Bosch an avant-garde, a sectarian, an alchemist and, according to Wilhelm Fraenger (1947) and Daniela Hammer-Tugendhat (1985), a pioneer of free love. Within a decade of his death, artists were churning out hundreds of copies of his paintings and drawings, as well as new works inspired by his compositions.īosch’s fame continued to grow, peaking in around 1600, but over time, he was all but forgotten as the classical academic style, which relied heavily on idealisation, left little room for the grotesque. His compositions, packed with pictorial innovations of an often grotesque nature, both surprised and delighted his audience, who were more accustomed to the idealised portrayal of nature found in 15th-century Flemish paintings and 16th-century Renaissance works. During his lifetime, the Early Netherlandish painter Hieronymus Bosch (around 1450-1516) enjoyed great wealth and respect, and his work was held in the utmost regard.
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